Archive for January, 2007

And finally, goodbye Vodafone!

The contract for the data card plan that Vodafone have been charging me for for the past goodness-knows-how-long is up next month so I sent them an email to cancel. Goodbye, Vodafone!

By the way, if you want to cancel a Vodafone account, email them at team19 {at} vodafonebusiness.co(.)uk, don't call the 0870 number or you'll just pay them more money (it's a premium number), only to be told to email that address.

If you're wandering what this is about, see this topic, starting with the Abbey National Business and Vodafone: Two companies that just don't "get it" and Sticking it to Vodafone articles.

Why do I just know that Apple is going to team up with Vodafone in the UK for the iPhone and I'm going to be forced to sign up with them again? :)

So, one down... now to switch banks.

Flash 10 Upgrade Essentials: Out now!

Flash X Upgrade Essentials by Aral Balkan; the book from the future

I just noticed that an online store called BookZone is now selling copies of my new book, Flash X Upgrade Essentials. It's on special order with the site for £27.99. It must be one heck of a special order, since I haven't actually written such a book! Or this might be a site from the future, giving us a glimpse of things to come. In which case, it looks like web design might be destined to suffer a nuclear holocaust of a setback sometime around 2008! :)

Teaching with passion in Singapore

3dsense Media School

I'm currently in Singapore, preparing to teach a one-day workshop tomorrow called PixelReloaded that was arranged for me by the 3dsense Media School.

From the moment I arrived, Hu Shunjie, the head of the Interactive Media devision, and Arul Kumaran (who lives in Singapore) made me feel completely at home. Yesterday, I met the directors of the school, Justin Chua and Sen Lai, the two young entrepreneurs who founded the school and are entirely passionate about creating a truly modern and pragmatic learning space for students. They took me on a tour of their facilities and I was impressed to say the least. Their school is the opposite of everything I despise in certain traditional higher education institutions that hold relevance only within their own insular academic bubbles:

The 3dsense Media School is staffed by industry professionals, some of whom teach part time, alongside their real-world work. They fly in guest lecturers from Pixar and other companies to teach there. This is such a key point: Actual animators, designers and developers teach classes. Furthermore, although there is a huge emphasis on practical work and portfolio-building, they place equal (if not more) emphasis on theory and building strong foundations. All students take fundamental art classes in drawing and illustration for example, in a classical studio setting, during their eleven month degree. In the last three months, they choose a specialization (modeling, animation, etc.) I saw some of the portfolios produced by their latest batch of students and was floored.

During the tour, I kept thinking of how much they have in common with the dynamic, passionate faculty of Hogeschool West-Vlaanderen Departement PIH; my friends who organize the excellent MultiMania conference in Belgium. (You guys definitely have to get together and have a talk -- expect an email from me!) :)

It's so refreshing to see such passion in the educational field. Keep an eye on these guys -- they're doing great things!

Macworld course materials mailed out

Everyone who emailed me from my FlashForward workshop at Macworld should have received an email with the workshop course materials (and a little bonus!)

If you haven't, please email me! :)

BarCampLondon2 registrations open!

Registrations for BarCampLondon2 are now open. Ian apparently announced it about 3 minutes ago. There are 100 places and the tickets (which are free) are going fast.

Sign up here.

Workshop materials from my Macworld Session

If you attended my workshop at Macworld, please send me an email before Tuesday to receive the workshop materials. I will send out an email with the materials on Tuesday, before I leave for Singapore on Wednesday.

And thank you to everyone who emailed me with kind words regarding my session at Macworld. I really appreciate it and I'm very happy that you guys enjoyed it!

Abbey National Business: How I hate thee

Yes, I'm still with Abbey National Business. For the backstory on my hassles with them, see Abbey National Business and Vodafone: Two companies that just don’t “get it” and The last straw: Moving away from Abbey National Business Banking. Unfortunately, I haven't had a chance to move away because of the hassle it involves. Today, they reminded me why I hate them so much yet again, and why I should make the extra effort to change banks.

When I was in San Fran, they disabled the card on the account. (They still don't understand that I travel.) That's fine, I should have called them previously to tell them I was traveling to be 100% sure they wouldn't do this. That's not the worst thing though. Today (Sunday), I call them to have the card re-activated and I get a message telling me they're closed and I should phone back on Monday. Their telephone banking is closed. You cannot call them even to report a missing or stolen card. This is ridiculous.

So I call the main Abbey National number and get the rudest support person ever, courtesy of a cheap call center in India. He just tells me over and over "We do not deal with business accounts." I ask him, what if my card is stolen? How do I report it? He says "We do not deal with business accounts." Finally, he asks me for my sort code so he can transfer me to the business department. I tell him: "But you said that the business department is closed today." He asks me for my sort code again so he can transfer me. "But aren't they closed?" "I will check." I wait on hold. He comes back: "The business department is closed today, you have to call back tomorrow!" "But I cannot use my account because you disabled my card and I have to make a purchase." "We do not deal with business accounts." "But you're the same bank -- this is unacceptable." "We do not deal with business accounts!" "Can I speak to a manager?" "There is no one here to help you, they are all busy." "So I can't speak to a manager?" "We do not deal with business accounts!" "OK, what is your name?" (Hangs up.)

Lovely! Positively lovely.

How are these people still in business? I know, because it's such a hassle to change banks. Hassle or no, once I'm back from Singapore this is the first thing I'm doing. Bastards.

Monday morning update:

I call the "business" department (I wonder if they know what that word means) at 9am (their opening hour). I give all my account information and go through the security checks. The lady on the line finally asks me what she can do for me. I tell her I want to reactivate the card on my account since they disabled it when I was traveling. "Oh", she says, "that's a different department -- you need to call this number..."

I call that number.

I get another lady who asks me the number of the card. "Oh", she says (must be in the company script), "that's a business account -- I'm not dealing with business accounts today. Let me see if my colleague is available." Her colleague is not available. She takes my number and assures me that her colleague will call me back. I wait. Her colleague does call back in a few minutes. I go through and verify each transaction and they enable the card. Well, not immediately -- it apparently takes "a few hours" (what, is there a randomly-generated duration variable involved that they cannot give me an exact time at least?) GREAT! So now I have to wait "a few hours" before making this purchase that I've been trying to make since yesterday.

Abbey National Business, you are clueless.

Macworld 2007: Steve Jobs’s keynote rocked

I don't have time to go into detail -- and I'm sure every little detail has been posted elsewhere but it was great to be at the Macworld keynote today. The iPhone is an amazing mobile phone -- I can't believe it'll be end of year until we get it in the UK. I can't wait to trash my Windows Mobile phone the *moment* this baby is released.

My talk went well, by the way. I'll be posting some pics from the keynote and stuff from the talk in the next few days (possibly upon my return to the UK.)

FlashForward KeyNote at MacWorld

I took notes during the FlashForward keynote at MacWorld today but couldn't post them since I didn't have WiFi in the room. It was a nice keynote and we got some cool sneak peeks at Flash CS3 and Apollo and a fun presentation on Flash on the Wii by Justin. Here are my notes:

I'm sitting in at the FlashForward keynote at MacWorld. Lynda just gave the opening speech and introduced Mike Downey.

Mike: We will be shipping the full production studio for the Mac, including Premiere, Encore and Sound Booth. (This was announced last week.) On Friday, we announced that we have finished and shipped Flex Builder for the Mac. About a month ago we released Photoshop CS3 in beta on Adobe Labs.

Flash Player Adoption update. Flash Player 9 is projected to reach over 70% penetration in its first six months. In comparison, Flash Player 8 took 9 months to reach over 80% and Flash Player 7 took twelve months to break 70% penetration. Basically, the adoption rate of the Flash Player is accelerating with each player release and continues to do so with Flash Player 9.

What's new in the Flash Player 9? Mike focusses on the new virtual machine with ActionScript 3 support and its performance improvements. AS3 is an ECMAScript implementation that uses the W3C DOM Level 3 event model, E4X (ECMAScript for XML), Regular Expressions and runtime error checking.

Mike is showing some example sites that showcase Flash Player 9. He starts with Kuler, Adobe's own online color utility.

In Flash Player 9.1, Adobe added a fullscreen feature. Mike shows the full screen demos linked to from the Labs Wiki. He demos the full-screen panorama made with Papervision 3D, which of course, you can find on OSFlash.

Flash Video has an unbelievable momentum which has mostly picked up following the release of Flash Player 8. Taking Flash Player 7 as the starting point, use of Flash video has grown 800x in the past three years, with the steepest rise taking place in 2006.

Mobile is another area that Flash has a presence in, especially in Japan. In September 2006, FlashLite was deployed on over 150 million handsets. In the US, in partnership with Qualcomm and Verizon, Adobe can distribute the FlashLite player to handsets over the air.

Flash can Wii

Now Justin Everett-Church takes the stage and he's going to talk about the Nintendo Wii. He is showing the Opera browser for the Wii, which, of course, comes with Flash Player 7. He is showing a mashup he did with Yahoo maps. He mentions the resolution of the browser (800x500) can make it difficult to read things and that he is actually doubling the size of his UI to make it more legible on the screen. Good tip.

Now he's showing YouTube and playing back some YouTube video.

Next, he is showing a 3D pool game from TeaGames to show the performance of the player. Looks good.

Now he's showing a game he created a while back called Insane in the Membrance. He loaded a SWF directly. It's not an 800x500 SWF but since it is vector, it scales. The game runs really well. This mirrors my own experience with the Flash Player on the Wii, which is that the player performance is very good.

Mike's returned to the stage now. He's mentioning that the Flash Player is also available on other game consoles. Mike Chambers is now taking the stage to show Flex and Apollo. To recap, Apollo is a cross-operating system runtime that allows developers to leverage their existing web development skills (Flash, Flex, HTML, Ajax) to build and deploy desktop RIAs.

He's demoing Ascension, an Apollo-based MP3 player that integrates with the desktop. For example, he's importing the iTunes Music Library from his Mac and using that as a data source for Ascension. He hasn't showed it yet but the coolest thing with Apollo is how easy it is to make cross-platform applications. For example, using Flex Builder, it is as simple as choosing your platforms and compiling. That's it. There is no platform-specific code whatsoever (those of you who have used Zinc, for example, will understand how much easier this will make their lives.)

Ascension also displays HTML pages to show the lyrics for songs. Apollo can do this. In fact, you can create Apollo applications using HTML as a top-level element. Basically, as has been mentioned to death elsewhere, Apollo allows you to use HTML, Flash and PDF in a transparently cross-platform development workflow. Flash and include HTML and Flash, HTML can include Flash and PDF. In short, it's mucho cool!

Now he's showing Flex Builder 2.0.1 on the Mac. The version he's showing has built-in support for Apollo which is not available in the released version. A version with Apollo support will apparently be released in a couple of months.

He shows how easy it is to compile a Flex application into an Apollo application. His sample application has an HTML control that is fully interactive and yet you can apply any Flash-based transformation, effects, etc. to the HTML control.

Now he is showing a mapping application called Maptacular that uses Google Maps, built by Christian Cantrell. It has an HTML control that loads in google maps. He overlays Flex on top the HTML control -- a tree control that is populated by the VCards on his system. He then drags a VCard to the map and it displays its location. Apollo is going to make a whole new type of mashup possible. A dashup, if you will, that combines data from your desktop with web services and the sorts of rich interfaces and interactions made possible with Flash.

Finally, he is showing a tool that is being built by eBay that makes it very easy to create eBay listings. For example, it uses your webcam to create images for your listing, etc.

You can find more information about Apollo at www.adobe.com/go/apollo.

Adobe plans to have a public beta available on Labs in a couple of months so it's getting close. They plan to have a 1.0 release mid to second-half of this year.

Flash CS3 Sneak Peek

Mike Downey is back on stage. OH NO IT'S THE UGLY NEW ICON! (His slide has the new icon for the next release of Flash.)

New UI

He is showing the new UI for Flash CS3. It's beautiful (apart from the icon and the splash screen.) And consistent. The toolbar icons match Photoshop and Illustrator, for example. He relates how they went out to talk to Adobe customers about how to integrate Flash with the existing Adobe tools. One thing many people have not liked about Flash was the Pen Tool. "Drawing with Flash's pen tool is like drawing with your feet" -- a customer quote! So they changed it. Flash CS3 has the same Pen Tool as Illustrator.

Now he is talking about the unique way that Flash treats shapes. This hasn't changed (since it's actually great for animators.) However, they have introduced primitive support to Flash CS3. There are now new tools such as the Rectangle and Oval primitives. (So you can, for example, add rounded corners to a rectangle very easily.)

About the workspace: They've focussed on making the content be the focus of the UI. For example, it's very easy to collapse the timeline and the PI. The toolbar is now a single column (and that saves some screen real-estate itself). You can expand and collapse the Palettes (when collapsed, it comes a single column toolbar where clicking on the buttons displays the Palette for that panel.)

There is also a new workspace drop-down that gives you quick access to your various panel layouts.

Automatic animation to code conversion

Now he is showing the new automatic animation to code feature developed by Robert Penner. Basically, this feature allows you to create a timeline-based animation (with guide layers, etc.), right-click the timline and select Copy Motion as ActionScript 3 and have Flash convert it to time-based ActionScript code that plays back exactly the same way as your timeline animation. The actual animation is written out as XML (using the native E4X support in Flash Player 9). So you can easily modify the settings of an animation without touching the animation engine itself. The only thing it doesn't work with is shape tweens. If nothing else, this feature alone will make it worth the upgrade.

New Photoshop (and Illustrator) importers

Finally, he is showing the new Photoshop importer (they also have the same feature for Illustrator). The new importer tool gives you access to all of the layers in the Photoshop document, including layer folders and layer comps. It recognizes layers with blend modes, text layers, etc. and allows you do to different things depending on the type of the layer. You also have options to Convert layers to Flash Layers, you can selectively choose which layers (or folders) you want to import and you can choose what type of content you want to convert a layer into.

For example, with a Bitmap layer in Photoshop, you can either import it as a flattened bitmap or as a bitmap image with editable layer styles. You can give it an instance name and set its registration point and set compression settings. You can also choose to set the stage size in Flash to match the canvas size in Photoshop and have the importer place the imported layers at their original coordinates.

The compression engine in Flash is now the same quality as the one in Photoshop.

Grant Skinner on the new V3 components in Flash CS3

He mentions that Flash finally understands how to maximize itself correctly.

V3 Components are built for Flash. They are 25%-40% smaller. 10kb smaller base than the Version 2 components (~15kb). Performance: Lower CPU, higher capacity. Customizability: Skinning (visual and programmatic) is made easier, extending the components is much simpler.

He is now doing a simple performance demo with a List component on stage. He is populating it with a million records. He just selected 200,000 records without delay and is scrolling through without any lag. They've also solved the problem that the earlier components had where external content (eg. images) would flicker when scrolled. Now they don't.

Now he's talking about how it is much easier in the Version 3 components to customize the components using skinning. I'm so happy that we finally have a Flash component set that gets skinning right. To skin a component, you just double click the component and you get a skinning dialog box. Select a skin and you can edit it on stage. The skins use Scale-9 so that corners are maintained and skins scale intelligently.

The style manager now also has massively improved performance and you can do runtime style changes on any number of components without lag. You can also use instances in styles so you can use external media, for example, as icons, etc.

He is now showing how they used skinning to create the color sliders in Kuler.

You also get the performance improvements in ActionScript 3. AS3 gives you development productivity using E4X, RegEx, display list, event model, debugging. He is showing a demonstration of E4X with an example of the Yahoo Maps code where a method with over 20 lines of code in ActionScript 2 is reduced to one line of code with E4X. Performance in AS3 is 10x-100x faster. As a demonstration of the performance, Grant is showing a demo by John Grden, with AS2 and AS3 versions. In AS2, it lags with a single model of a ship. In AS3, there are 10 ships flying by. Finally, there are API additions in AS3 such as BinarySocket, ByteArray, computeSpectrum, etc. He is now showing a computeSpectrum demo with some music and a flaming Blaze demo.

Lynda is now taking the stage again and ending off the keynote.

Ebru Berker

Ebru Berker launches a site for her new CD

My dear friend Ebru just emailed to say that her debut album is going to be released in two weeks' time in Turkey. The album is titled "Sıradan bir şarki ve sıradan bir şarkıcı", which translates to "An ordinary song and an ordinary singer." Of course, if you knew Ebru, you'd know that there's nothing ordinary about her but the title comes as no surprise: Ebru is one of the most modest people I know; a tiny nuclear reactor of talent somehow contained in a mischievous impish shell. And she sings like an angel!

Ebru does have a partner-in-crime in this endeavor; her Clyde in all things Bonnie, my very good friend, Yuri Ryadchenko. Yuri's is the musical wizard credited with writing much of the music for the album (with Ebru doing the lyrics; although there are some where she's written the music too) and for the arrangement. (And goodness knows what else, in that lovely studio of his that I remember all too well and which has probably grown even larger since I was last there.)

The album covers an eclectic range of musical styles, from Jazz to Pop to Latin, with strong Turkish influences. The latter is not surprising at all, given that Ebru grew up in a playground of musical influence. Not least of all as a result of her father, the famous Turkish composer, Erdoğan Berker, and her sister, the amazing Jazz singer, Ece Berker. (I can still remember Ece giving us precious advice -- Vocalzone still saves my butt, by the way, Ece -- during rehearsals for Almost Broadway, the musical medley we staged way back in high-school.)

I'm also really impressed with the web site for the album. It's an elegant Flash site that is both minimalist and classy. You can listen to previews of some of the tracks there and doing so brought back some lovely memories for me. (And, I have to say, I was expecting Audrey 2 to jump out at any moment from the way the leaves move! Then again, with our shared past in musicals, I wouldn't be surprised if it is an intentional homage.)

And, guess what? I actually wrote the lyrics to one of the songs one night when we were playing around in Yuri's studio. Wow, actually it was quite a few moons ago now (oh my goodness, how old was I? 19? 20?). It's a light Latin party tune titled Cha Cha (you can hear a snippet on the site) and features a trombone solo by Fatih Erkoç. Who'd have thought? Lyrics credits in a Turkish album? I'll check that one off my list then! :)

Ebru, Yuri, I'm so very happy for the both of you! Best of luck with the album.

Check out the web site for Sıradan bir şarki ve sıradan bir şarkıcı.






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